Batman v Superman: Dawn Of Justice (2016) | Ben Affleck, Henry Cavill - Part 1
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Batman v Superman: Dawn Of Justice (2016) | Ben Affleck, Henry Cavill - Part 1
Batman v Superman: Dawn of Justice is an upcoming American superhero film featuring the DC Comics characters Batman and Superman, distributed by Warner Bros. Pictures. It is intended to be the follow-up to 2013's Man of Steel and the second installment in the DC Extended Universe. The film is directed by Zack Snyder, with a screenplay written by Chris Terrio and David S. Goyer. The film stars Ben Affleck, Henry Cavill, Amy Adams, Jesse Eisenberg, Diane Lane, Laurence Fishburne, Jeremy Irons, Holly Hunter, and Gal Gadot. Batman v Superman: Dawn of Justice will be the first live-action film to feature both Batman and Superman, as well as the first theatrical film to feature live-action portrayals of Wonder Woman, Aquaman, The Flash and Cyborg.
The film was announced at 2013 San Diego Comic-Con International, after the release of Man of Steel. Snyder and Goyer were both brought back in June 2013. Snyder stated that the film would take inspiration from the Batman limited series The Dark Knight Returns by Frank Miller, but that it would follow an original premise. Pre-production began at East Los Angeles College in October 2013, with principal photography starting in May 2014 in Detroit, Michigan, with additional filming in Chicago, Illinois. Filming concluded in December 2014. Batman v Superman: Dawn of Justice is scheduled to be released in the United States on March 25, 2016, in 2D, 3D, and IMAX 3D.
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Plot
Following the events of Man of Steel, Gotham City-based vigilante Batman travels to Metropolis to preemptively combat Superman, while another threat endangers humankind.
Director
Zack Snyder
Screenwriter
David S. Goyer
Cast
Henry Cavill
Amy Adams
Ben Affleck
Gal Gadot
Diane Lane
Jesse Eisenberg
Laurence Fishburne
Jeremy Irons
Holly Hunter
Ni ada artikel bagus soal kenapa Clark Kent versi Snyder dibikin kayak gitu... in all honesty daku lebih suka versi Snyder ini, lebih filosofis, relatable dan humanis.
Spoiler for Batman V Superman: How Zack Snyder Told One of Superman’s Greatest Stories Part 1:
Batman V Superman: How Zack Snyder Told One of Superman’s Greatest Stories Andrew Dyce
Long before Man of Steel ever jump-started DC’s shared movie universe, comic book movie fans had their opinions about Zack Snyder. Some saw his films 300 and Watchmen as artful adaptations of the graphic novel to a new form – while others saw them as indulgent messes. So, predictably, combining such an experimental director with a property as beloved and established as Superman resulted in a film that was just as divisive. And with DC’s biggest hero getting not just a follow-up adventure, not just a head-to-head showdown with Batman himself, but a movie launching the Justice League universe as a whole, lovers and critics of Snyder lined up to continue the debate.
Strangely enough, the criticisms of Dawn of Justice weren’t quite what we expected. Ben Affleck’s Batman and Gal Gadot’s Wonder Woman – both held by naysayers to be irrefutable proof of the film’s doomed future – were broadly praised… leaving Zack Snyder’s image of Superman to take the brunt once again. But still, the criticism often took on an unorthodox perspective. The usual claims were made (read: Snyder’s Superman is “not Superman” or “not my Superman”) but just as often, blog and fan sites were stormed by people who criticized Snyder and his writing team for the story they had chosen to tell – not how well they were actually telling it.
There’s no question that those who see Batman V Superman as a step in the wrong direction are entitled to their opinions, and Dawn of Justice is deserving of critical analysis, since an updated/modernized/re-imagined Man of Steel was always going to court heated conversation. But we can’t help but notice the actual story being told – the one that is Superman through and through – seems to have been completely overlooked, or criminally under-discussed.
That may be due to viewers, critics, or bloggers feeling Superman’s arc doesn’t deserve any attention, or they might have missed it completely. Either way, this Superman story is worth another look.
Because there’s one secret that the most rabid critics demanding a more traditional hero aren’t mentioning: as beloved as the classic, most well-known (stoic, optimistic, cheery, hopeful, courageous) version of Superman may be… he’s not all that interesting or relatable a character. Not as the blue-and-red side of the equation, anyway, since the moment he gets ‘Super’ and leaves the ground, the story does too, leaving much of his ‘human’ side behind – at least, the part an audience can actually relate to.
For those viewers who didn’t like Batman V Superman or simply don’t care for Snyder’s style, our dissection of Superman’s narrative isn’t likely to change your opinion. But even for those who had legitimate problems with the story, we hope to draw more attention to the subtler plot beats that never got discussed, let alone praised. In the end, we aim to show why Zack Snyder succeeded in telling one of the most relevant, inspiring, and accomplished stories starring the Man of Steel in recent memory – and unquestionably the most relevant on film – but to get there, we have to start at the beginning. After all, this story took two entire movies just to tell it.
The Modern Origin
Zack Snyder, David S. Goyer and Christopher Nolan made it known that they were out to tell a very different Superman story this time around. One that, while honoring the source material, would look to re-define DC’s biggest icon – making him truly relevant to modern audiences. Considering that he’s remained as more or less the same, unassailable hero for over half a century, that in itself was guaranteed to court some detractors. Nevertheless, the resulting story told in Man of Steel grabbed onto ideas of society, community, family, destiny, xenophobia, and paranoia with both hands.
But more than anything else, the writers held true to their claims that Man of Steel was, at its core, the story of a man with two fathers. While faithful, that’s not usually the main narrative: Superman’s biological father, Jor-El (Russell Crowe) dies not long after he’s born. His human father, Jonathan Kent (Kevin Costner), teaches him how to be a good man… then also dies, showing Clark that he can’t save everyone.
In Snyder’s version, the two men couldn’t have been more opposed: Jonathan Kent knew Clark was capable of great things… but the world – the viewer’s world, our world – wasn’t ready, and would react with fear and hate, not love and wonder. He believed it so strongly, he was willing to die so his son could have the life Jonathan wanted for him (essentially, a normal one). Jor-El, on the other hand, knowingly sent Kal-El to Earth to appeal to humanity’s better angels, trusting that they would follow his heroic example into greatness themselves.
But which father’s path would he choose? Whose belief would he trust? The human’s, or the Kryptonian’s?
Naturally, he chose the father who promised the greater mission – where Jonathan’s promised an identity crisis and life in isolation – and emerged as ‘Superman,’ Earth’s god-like protector from another world. After completely (and severely) dealing with invading aliens who embodied everything that actually should be feared about outsiders or demigods (like Jonathan Kent expected), the movie ended on a high note: Clark accepting his mission, and setting out to be the hero Jor-El hoped he would be.
But by then, Batman V Superman shows us, things had already started to go very, very wrong.
The Modern Reality
Although he wasn’t really to blame for the destruction and collateral damage wreaked upon Metropolis – Bruce Wayne conceding that Superman brought “war” to Earth, the real threat – Superman’s emergence and wish to do the right thing resulted in disaster. Despite his commitment to optimism, hope and trust in people’s inherent goodness at Man of Steel‘s close (classic Superman), Jonathan Kent’s words proved to be every bit as true. But like most sons, Clark had to learn the truth of his father’s advice for himself.
As soon as he arrived on the scene, BVS suggests, people were split; in a world where a piece of mail can’t be sent across borders without agencies inspecting it, fearing the worst, how could a man capable of doing or going as he pleases not instill fear? Or, in the words of famous interviewer Charlie Rose, it’s no surprise that “the most powerful man in the world should be a subject of controversy.” And, in truth, one look at human history confirms that as well-meaning as people may be, believing the absolute worst in even those trying to do good is inevitable.
Even worse, people seem split between two equally problematic opinions: that Superman is destined to become a villain (not really true), or that he’s a godlike savior (just as false). Snyder and Goyer may have pitched Man of Steel‘s premise as “what would actually happen if a flying man arrived tomorrow,” but it was only in the sequel that we see what they had in mind.
It’s as ‘meta’ as a Superman story can get: the Man of Steel learns that being a hero isn’t as simple, colorful, or as much fun as it used to be. And in a racially, religiously, politically, and morally conflicted world like our own, even ‘doing the right thing’ can come at a price and negative impact to someone, somewhere. Where Superman intervenes in modern nations or conflicts, people die – and those who mistrust him don’t wait to learn the specifics, simply accept it as proof of their suspicions.
But more importantly, whose rules should a superhero follow? As Rose similarly poses to a U.S Senator in the film, there’s one big question that all the discussion and hearings are building toward: is it morally or ethically right to let a person be killed because the citizens agreed that Superman shouldn’t be allowed to save them? That throws the flying, strength, X-ray vision, and the rest of the ‘Super’ right out the window: that’s a question being posed to the man (or, more accurately, human).
If the movie didn’t have to contend with introducing a brand new Batman, or planting seeds of the DCEU, the questions raised in these scenes could have been given more room to breathe – and could be explored more clearly in the R-rated Dawn of Justice cut. Forget a superhero: how does a country decide when it’s called to intervene on foreign soil? When does sovereignty take a backseat to human rights, or compassion? Those are the questions being posed to a single farmboy from Kansas, who is realizing everyday that his adopted father’s words may have been true, and exposing himself to a world that now fears him is a bell that can’t be un-rung.
And as his own government asks him to provide an answer, he hangs up the cape to figure things out.
A Father’s Wisdom
It’s fitting, then, that this should be the time when a memory from his past resurfaces. As Superman– Clark realizes that ‘being a hero’ isn’t what he expected, and that as much good as bad seems to result from every action he takes, he remembers his father’s story of the time he learned the exact same lesson. The scale might be different, but Jonathan tells his son that seeing your best intentions go horribly wrong, or learning that pride often comes before the fall, are human – not Kryptonian – experiences. And as much as the cape and tights might make Clark feel like it’s a burden only he carries, his father shows that he’s simply learning that the path to becoming his own man can be a painful one.
Mistakes are made and, in Jonathan’s case, he’s haunted by the pain he caused, the family he troubled, and the false pride he enjoyed. The only thing that finally stops them isn’t some heroic victory, epic feat of strength, or even a balancing of the scales (you can’t un-make your mistakes) – it’s the love of a good woman.
When he had no reason to stop questioning whether he did good or bad, or what kind of man he really was, it was only Martha Kent who put the questions to rest. That distinction is important: she didn’t answer the questions – they can never really be answered, and Jonathan seems neither proud nor haunted. She just made him stop asking, or believing that these grand questions of what it means to be a hero need to be answered – or even can be.
And remember: deep down, Jonathan Kent was an optimist, despite those who claim Zack Snyder turned Superman’s greatest supporter into a proponent of paranoia and mistrust. Man of Steel showed that Jonathan recognized greatness in Clark even as a child, and even Martha concedes that Jonathan saw the truth about Clark “is beautiful.” He didn’t defeat his demons – at least, that’s not how his story/advice/memory describes it – he found a woman to love, who became “his world,” and the question of whether he was a hero or not stopped mattering.
It is, if nothing else, the kind of Middle-America wisdom you would expect from a humble farmer. And despite being a scene between Superman and his adopted human guardian, it’s truly a passing of wisdom from father to son.
When A God Becomes a Man
In the interest of not making this too subtle (and in keeping with comic book conflicts) Snyder lets the dilemma take physical form thanks to Batman, embodying the certainty that if Superman could be a threat, then he is a threat. Ironically, being challenged as a demigod (and trying to be killed for being one) actually brings out the human side of Clark more than anything ever could. After all, like Bruce’s feeling of powerlessness has, in the words of Alfred, “turned a good man cruel,” so too does the loss of his superpowers turn Superman into an angry, brutal combatant.
Being drawn to the ‘man’ side of his upbringing and identity is all well and good, but the fact remains: as ‘Superman,’ Clark is at odds with himself on a fundamental level. As Batman claims, that also means he has never truly known what it is to be a man – a problem the Dark Knight remedies with the use of kryptonite gas grenades. The result, he narrates, is that for the first time in his life, Clark Kent knows what it means to be afraid. He may not intend or even say it, but the implied message is clear: Batman has sought to crush Superman’s will, but in the process, has made Clark Kent nothing more than a man for the first time in his life.
And men, he soon learns, feel fear. Without that… there is no bravery.