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All About Behringer Pedal


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All About Behringer Pedal
Gan... ayo share yang pakai Behringer.. share smua disini gan... 
ane pakai Behringer Ultra Metal (UM300) sama Compressor Sustainer (CS 400)
UM 300
CS 400
EQ700
UM 300 suara mirip Metal Zone gan
kalau CS 400 ane pakai buat booster gan.. hehe...
kadang untuk rythem MEtal ane gabungin UM 300 dan CS400 gan... kerasa bedanya.. walaupun dikit...
Sharing gan... ane pengen mendalami Behringer... Cs Budget dikit.. kuatnya beli efek ginian gan... hehe

Penjelasannya
UM 300
CS400
UPDATE!!!!
Ini sample Product behringer pedal gan
DR 400
FX600
EQ700
Hellbabe
Komen Kaskuser
Alat Tempur Kaskuser

Quote:
Original Posted By Zahriansyah►mgkn stompbox behringer bkl lbh diminati klo konstruksinya dibuat lbh kuat..soalnya yg stompbox kesannya ringkih..

ane pakai Behringer Ultra Metal (UM300) sama Compressor Sustainer (CS 400)
UM 300
Spoiler for UM300:

CS 400
Spoiler for CS400:

EQ700
Spoiler for EQ700:

UM 300 suara mirip Metal Zone gan
kalau CS 400 ane pakai buat booster gan.. hehe...
kadang untuk rythem MEtal ane gabungin UM 300 dan CS400 gan... kerasa bedanya.. walaupun dikit...
Sharing gan... ane pengen mendalami Behringer... Cs Budget dikit.. kuatnya beli efek ginian gan... hehe


Penjelasannya
UM 300
Quote:
Metal to the Max
The UM300 effects pedal gives you the most extreme, sought-after hard rock and heavy metal sounds with super-thick, tube-like distortionplus virtually endless sustain.
The Art of Tone
Like most distortion stomp boxes, the UM300 comes with DISTORTION and LEVEL controls. And the HIGH and LOW controls let you dial in the amount of top-end and bottom you desire. But the similarity to other stomps ends right there. Much like our world-class mixing consoles, weve given the UM300 a MID FREQ control, allowing you to select a midrange frequency (from 200 Hz to 5 kHz) and boost/cut it by up to 15 dB (thats a lot!). What this means, in terms of tone, is thick, tube-like distortion with endless sustain, for everything from aggressive, traditional metal assaults to bone-crunching mayhem.
A bright blue LED tells you when the UM300 is active, while a top-quality on/off switch maintains highest signal integrity in bypass mode. You can power the UM300 with our PSU-SB DC power supply (not included), or pop in a 9 V battery.
Massive in the Middle
Is there a hole in the middle of your tone? Youll be surprised how affordably and efficiently the ULTRA METAL UM300 can fill that void. See your BEHRINGER dealer today.
The UM300 effects pedal gives you the most extreme, sought-after hard rock and heavy metal sounds with super-thick, tube-like distortionplus virtually endless sustain.
The Art of Tone
Like most distortion stomp boxes, the UM300 comes with DISTORTION and LEVEL controls. And the HIGH and LOW controls let you dial in the amount of top-end and bottom you desire. But the similarity to other stomps ends right there. Much like our world-class mixing consoles, weve given the UM300 a MID FREQ control, allowing you to select a midrange frequency (from 200 Hz to 5 kHz) and boost/cut it by up to 15 dB (thats a lot!). What this means, in terms of tone, is thick, tube-like distortion with endless sustain, for everything from aggressive, traditional metal assaults to bone-crunching mayhem.
A bright blue LED tells you when the UM300 is active, while a top-quality on/off switch maintains highest signal integrity in bypass mode. You can power the UM300 with our PSU-SB DC power supply (not included), or pop in a 9 V battery.
Massive in the Middle
Is there a hole in the middle of your tone? Youll be surprised how affordably and efficiently the ULTRA METAL UM300 can fill that void. See your BEHRINGER dealer today.
CS400
Quote:
Whats a Compressor?
Dynamics play an important role in music. They help to convey emotion, whether its a sultry blues solo or the unrelenting gallop of unfettered metal. But uncontrolled dynamics can take all your best intentions and turn them into so much, well mush. Thats where compression comes in, softening loud sounds and boosting low signal levels to keep everything more uniform. So, a compressors main job is to make every note the same volume.
Balancing Act
Ever notice how some strings on your guitar or bass sound louder than others? This is partly due to physics. Strings with lower mass just dont put out as much volume as the heavier ones. When used properly, a compressor makes all of the strings the same volume. Compressors are also great for slap-style bass players, making thumb slaps, string pulls and muted notes all the same volume, for an extremely percussive effect.
Easy to Operate
You can dial in the right amount of compression using the dedicated ATTACK and SUSTAIN dials. The LEVEL control allows you to set the output to subtle, or engage a monster volume boost. TONE lets you add exactly the right level of highs. From clean, snappy country leads to rock solos that scream for eons, the CS400 is built to make your sound the center of attention. Its LED tells you when it's on, and the top-quality on/off switch maintains outstanding signal integrity in bypass mode. You can power this scene-stealer with either a 9 V battery or our PSU-SB DC power supply (not included).
Value
The COMPRESSOR/SUSTAINER CS400 is an affordable way to add some serious finesse to your playing. Check one out at your BEHRINGER dealer and let your playing take center stage.
Dynamics play an important role in music. They help to convey emotion, whether its a sultry blues solo or the unrelenting gallop of unfettered metal. But uncontrolled dynamics can take all your best intentions and turn them into so much, well mush. Thats where compression comes in, softening loud sounds and boosting low signal levels to keep everything more uniform. So, a compressors main job is to make every note the same volume.
Balancing Act
Ever notice how some strings on your guitar or bass sound louder than others? This is partly due to physics. Strings with lower mass just dont put out as much volume as the heavier ones. When used properly, a compressor makes all of the strings the same volume. Compressors are also great for slap-style bass players, making thumb slaps, string pulls and muted notes all the same volume, for an extremely percussive effect.
Easy to Operate
You can dial in the right amount of compression using the dedicated ATTACK and SUSTAIN dials. The LEVEL control allows you to set the output to subtle, or engage a monster volume boost. TONE lets you add exactly the right level of highs. From clean, snappy country leads to rock solos that scream for eons, the CS400 is built to make your sound the center of attention. Its LED tells you when it's on, and the top-quality on/off switch maintains outstanding signal integrity in bypass mode. You can power this scene-stealer with either a 9 V battery or our PSU-SB DC power supply (not included).
Value
The COMPRESSOR/SUSTAINER CS400 is an affordable way to add some serious finesse to your playing. Check one out at your BEHRINGER dealer and let your playing take center stage.
UPDATE!!!!
Ini sample Product behringer pedal gan
Spoiler for Video sample:
Spoiler for UM300:

DR 400
Spoiler for DR400:

FX600
Spoiler for FX600:

EQ700
Spoiler for EQ700:

Hellbabe
Spoiler for Hellbabe:

Komen Kaskuser
Spoiler for Komen:
Quote:
Original Posted By RonShredder►Wah klo delay behringer waktu off nga terlalu ngaruh nge cut sound,..
klo pengalaman ane,..untuk bypass efek stompbox behringer outputnya lebih bagus dari B**S,..level nya lebih gede dan lebih bright,..
emang sih yg paling bagus yg true bypass kyk M*R stompbox,..
ane pake UM300, DD400 dan RV600 Reverb machine behringer,..hasilnya mantap gan,...suara sound jadi megah buat maen apa aja,..ini berkat reverb machine nya yg nendang banget,..UM300 nya suaranya lebih tebel dari Metaljon nya B**S,..kelemahan UM300 noise nya tinggi kalo level dist udah lebih dari jam 1,..
Pokoknya beta suka soundnya behringer,..
klo pengalaman ane,..untuk bypass efek stompbox behringer outputnya lebih bagus dari B**S,..level nya lebih gede dan lebih bright,..
emang sih yg paling bagus yg true bypass kyk M*R stompbox,..
ane pake UM300, DD400 dan RV600 Reverb machine behringer,..hasilnya mantap gan,...suara sound jadi megah buat maen apa aja,..ini berkat reverb machine nya yg nendang banget,..UM300 nya suaranya lebih tebel dari Metaljon nya B**S,..kelemahan UM300 noise nya tinggi kalo level dist udah lebih dari jam 1,..
Pokoknya beta suka soundnya behringer,..
Quote:
Original Posted By samson86►ane maen metal gan, peralatan tempur ane rata2 pke behri
weittss, bkan krna behri murah gan.. tp emg ane sneng sound'ny
utk distorsi ane pke behri WARP DISTORSI WD300
tu efex yg slma ni ane cari gan, ane dah gonta-ganti efex dr B**S metaljon,metalcore,megadistorsi g ad yg cocok
ane smpet pke behri UM300, tp ttp kurag mpe ane nemuin WARP DISTORSI WD300
"ASING"
bgt gan, dger aja lom prnah, kaya ap tuh suarany.. bagus ga?? itu yg ada dbenak ane
tp bgtu ane cb, wuiihh mntab ni pedal, nendangny dpt, kasarny jg dpat,
trus ane review d"toneking" trnyta ni pedal simulator ampli HUGGES&KETTNER WARP factory
cek
http://thetoneking.com/wp/behringer-...parison-chart/
slain pke WD300, ane jg pke behri FX600
cz ni efex modulasi pling simpel n g ribet
ane jg pke NR100 cz gain dr WD300 emg gila
3pedal behri tuh dah mntab bgt nemenin ane maggung2 gan, byak org yg ngeremehin pas lihat, tp sound berani dadu, secara ane pke gitar MAISON w/ PU EMG81(bridge) DUNDES HB105(neck) senar 011-060 GHS
jd pasti gahar gan hehe
jd jngan skali2 remehin BEHRINGER PEDAL cz mntang2 hrgany murah

weittss, bkan krna behri murah gan.. tp emg ane sneng sound'ny
utk distorsi ane pke behri WARP DISTORSI WD300
tu efex yg slma ni ane cari gan, ane dah gonta-ganti efex dr B**S metaljon,metalcore,megadistorsi g ad yg cocok
ane smpet pke behri UM300, tp ttp kurag mpe ane nemuin WARP DISTORSI WD300
"ASING"
bgt gan, dger aja lom prnah, kaya ap tuh suarany.. bagus ga?? itu yg ada dbenak ane
tp bgtu ane cb, wuiihh mntab ni pedal, nendangny dpt, kasarny jg dpat,
trus ane review d"toneking" trnyta ni pedal simulator ampli HUGGES&KETTNER WARP factory
cek
http://thetoneking.com/wp/behringer-...parison-chart/
slain pke WD300, ane jg pke behri FX600
cz ni efex modulasi pling simpel n g ribet
ane jg pke NR100 cz gain dr WD300 emg gila
3pedal behri tuh dah mntab bgt nemenin ane maggung2 gan, byak org yg ngeremehin pas lihat, tp sound berani dadu, secara ane pke gitar MAISON w/ PU EMG81(bridge) DUNDES HB105(neck) senar 011-060 GHS
jd pasti gahar gan hehe
jd jngan skali2 remehin BEHRINGER PEDAL cz mntang2 hrgany murah


Quote:
Original Posted By azmiattack►Bold: dua2nya main drive bro, apalagi UM300 dijadiin booster pasti ga bakalan enak
cuma beda aplikasinya, yang satu distorsi amp simulator, yang satu pedal distorsi biasa..
maksudnya amp simulator disini, dia mensimulasikan karakteristik ampli tertentu..kaya di GDI21 kan ada pilihan amplinya tuh, ada tweed(konon simulasi fender twin), brit(simulasi marshall), sama calif(simulasi mesa boogie)
tp itu semua cuma konon, cuma maksud nya ya dibikin mirip2 kaya gitu, ga bakalan bisa niruin yang aslinya ahahah sedangkan si UM300 cuma distorsi biasa tanpa simulasi ampli tertentu..
kenapa GDI masuk return? soalnya return itu = colokan input tp minjem cabinet (speaker) aja, ga ke coloring EQ (high, low dll) dari si ampli..jadi kalo colok kesitu, volume, gain dll yang dari depan ga ngaruh ke sound..yang keluar dr ampli ya suara "asli" dr si efek..
nah kalo mau simulasi ampli tentunya mau yang persis tanpa keganggu EQ dr si ampli kan? makanya GDI21 biar mirip sama karakter ampli yang diinginkan colok ke return tanpa coloring dr karakter si ampli (baca: biasanya head cab)
CMIIW

maksudnya amp simulator disini, dia mensimulasikan karakteristik ampli tertentu..kaya di GDI21 kan ada pilihan amplinya tuh, ada tweed(konon simulasi fender twin), brit(simulasi marshall), sama calif(simulasi mesa boogie)
tp itu semua cuma konon, cuma maksud nya ya dibikin mirip2 kaya gitu, ga bakalan bisa niruin yang aslinya ahahah sedangkan si UM300 cuma distorsi biasa tanpa simulasi ampli tertentu..
kenapa GDI masuk return? soalnya return itu = colokan input tp minjem cabinet (speaker) aja, ga ke coloring EQ (high, low dll) dari si ampli..jadi kalo colok kesitu, volume, gain dll yang dari depan ga ngaruh ke sound..yang keluar dr ampli ya suara "asli" dr si efek..
nah kalo mau simulasi ampli tentunya mau yang persis tanpa keganggu EQ dr si ampli kan? makanya GDI21 biar mirip sama karakter ampli yang diinginkan colok ke return tanpa coloring dr karakter si ampli (baca: biasanya head cab)
CMIIW
Quote:
Original Posted By azmiattack►bukan bro, yang bold itu fungsi return, kalo GDI21 nya sih yaa hanya sebagai efek amp simulator aja, biar karakter amp yang disimulasiin ga terganggu, makanya colok return
lebih enak lagi kalo si GDI colok return kasih pedal EQ lagi biar lebih "terlukis" soundnya
mending pilih salah satu bro, GDI21 ditembak UM300 gaenak, saya udah nyobain
emang si GDI21 kurang apanya bro? kalo kurang gain aja enaknya beli clean booster aja kaya electro harmonix LPB-1..soalnya GDI21 sama UM300 itu sama2 distorsi, nabrak bro, percayalah
tp terserah sih ehehe

mending pilih salah satu bro, GDI21 ditembak UM300 gaenak, saya udah nyobain


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