JUNO-6 (1982)
This 6-voice polyphonic analog synthesizer used a DCO per voice to generate sound. Built-in chorus effects increased the range of sounds that could be produced. This synth also had a key transpose feature.

JUNO-60 (1982)
A Juno-6 with newly added memory functions for 56 sounds. Roland's proprietary DCB interface standard was used for exchanging control information with external devices.

JUNO-106 (1984)
This 1DCO per voice, 6-voice polyphonic analog synthesizer was the successor of the Juno-60. Equipped with 128-sound memory and MIDI, it would become a favorite of dance and techno artists. Recently, this synth has enjoyed a revival.

JUNO-106S (1985)
This JUNO was equipped with stereo speakers; other than that, the specs were completely identical to the JUNO-106. As a common feature in this time — internal sound memory could be backed up to a cassette tape.

αJUNO-1 (1985)
Pronounced "alpha JUNO-1", this was a low-cost model in the Juno series. It had 49 keys, and a specially designed sound-generator IC. Although it had 6-voice polyphony and 128 sound memory, it was below ¥100,000 in Japan — quite an appealing combination.
αJUNO-2 (1985)
A step up from the α JUNO-1, the α JUNO-2 had 61 keys. The JUNO series was always popular for its string and bass sounds, and still is to this day. The PG‑300 programmer, common to the α JUNO-1 and -2, was also available.

JUNO-D (2004)
Budget priced yet big on features, the Juno-D offered 640 of new patches, a world-class array of expressive multi-effects, realtime performance controllers, and tools for groove creation and composition.

JUNO-G (2006)
For songwriters and performers, the JUNO-G synth offers a 16-part MIDI sequencer with four companion stereo audio tracks, plus a powerful Fantom-X-quality sound engine, 128-voice polyphony, and SRX expansion.

JUNO-STAGE (2008)
Decked out with an extra-large display, USB backing-track functionality, a Click output for drummers, performance knobs, hands-free patch select, master MIDI control, and more, the 76‑key JUNO‑STAGE offers onstage power at a great price.

JUNO-Di (2009)
A traveling musician's dream, the JUNO‑Di is lightweight, can run on batteries, and is easy to use. It's packed with 1,000+ great sounds, has a friendly control panel for easy editing, and a Song Player for larger-than-life performances.

JUNO-Gi (2010)
In the JUNO tradition of great sound, compact design, easy operation, and affordable price, the JUNO-Gi delivers big. What propels this power-synth into another realm, however, is its supercharged feature set with over 1,300 fresh sounds, an onboard eight-track digital recorder, and pro effects created by BOSS.

*pic menyusul...diambil dari website resminya Roland-Juno series...

1. ModalSkillJUNO-Di

2. tutshitamputih JUNO-Di

3. monkeyFREAK JUNO-D

4. telecaster_user JUNO-G

5. ianlsk JUNO-G from 3K HTT

6. flodian JUNO-Di

7. akuyudha JUNO-Di

8. voorgath JUNO-Di

9. amadeusyosa JUNO-Di

10. kh3ke JUNO-Di

11. toscanni JUNO-Gi

12. f1r3m4nz JUNO-Di

13. awyusuf JUNO-Di

14. bambu1 JUNO 106

15. astudio JUNO-Di

16. andrique JUNO-Gi

17. adejohn JUNO-Gi

Ini, merupakan fitur "khas" punya roland... soalnya ane sampe ni tulisan dibuat, belom nemuin merk laen yang punya fitur semacem ini..

Solo Synth
Ini tools yang paling asik.. Jadi, kita ngegerakin tangan kita di atas sensor D-Beam buat maenin sound synth, bisa di atur sensitifitasnya.. Buat soundnya, cobain sendiri dulu deh, soalnya bingung mau ngejelasinnya gimana.. Mungkin, kalo ada yang bisa bantu, nanti ane kasih sample nya..

Expression
Ini bisa dibilang buat ngatur suara.. Jadi spt kita maenin knob volume, sama halnya sama fungsi yang ini..

Assignable
Nah, di sini kita bisa milih, sensor D-Beam mau di pake buat fungsi apa.. Ane biasa auto-nya ke CUTOFF... kepake buat maen sound synth, lalu kita maenin CUTOFF spt kita maenin knobnya...

Q : Kenapa sih harus pake D-Beam ? Kan bisa tuh kita maenin knobnya aja, spt Expression sama Assignable yang di atas, kan ada knob nya, kenapa harus pake D-Beam ?

A : Permainan kita pake knob, terbatas, dalam arti perubahannya terlalu kasar.. Kalo kita pake sensor D-Beam, kita bisa lebih halus ngaturnya.. Nanti kalo udah coba, kerasa sendiri koq.. hehe..

Sesuai janji ane, malem ini ane update nih fungsi Favorite - Bank buat live set...

Ketentuannya :

1. Kalo kita mau PAKE tone yang ada di Favorite, tombol Favorite nya harus ON !
2. Kalo kita mau NGISI tone ke Favorite, tombol Favorite harus OFF !

Caranya :

Kita pilih tone yang mau kita isiin ke favorite. Lalu, pencet tombol Favorite-ON/OFF dihold, lalu kita teken tombol 0 - 9 terserah kita...

Misal, kita mau ngisiin tone "Griggley - Synth 035" ke favorite nomer 0...

Nah, kita pilih sound si griggley nya terus kita teken tombol Favorite ON/OFF yang di hold lalu kita teken tombol nya...

Pas mau pake, kita pertama pencet si tombol Favorite ON/OFF nya ngga usah dihold, lalu kita pencet bank yang udah kita isiin...

O iya, ini NGGA AKAN ILANG kalo kita matiin-nyalain kibord nya...

Setelah sekian lama ane bertanya-tanya di trit laen tentang sistem layer-ing di JUNO, tadi siang ketemu juga caranya..

Kadang, kita pengen sound yang isinya suara piano+string (kayak yang punya RD700 itu lhoo..) tapi bingung gimana caranya... Kalo di PSR, gampang banget lah caranya... tapi di JUNO ?

Ternyata, sangat simple buat nge layer sound yang kita pengen di JUNO, caranya, teken tombol "DUAL" di kolom "Keyboard", lalu langsung dah keliatan...

Ada 2 angka, itu nunjukkin yang mau di prioritasin yang mana soundnya...

Misal kita isi sound 1 : GrandPiano
Sound 2 : Strings 1

Maka yang dominan nantinya adalah sound si GrandPiano...

RALAT : ternyata, setelah ane sering pake ni fungsi, ngga ada yang dominan, alias kedua suara tersebut jadi sama rata gitu gan maap yee